12 Jan 2018 - 18 Feb 2018

Reflections

Daniela Friebel, Tom McGlynn, Holger Stark

Appropriating Language 21

Vernissage: 12 Jan 2018 @ 19:00

REFLECTIONS is the title of the 21st edition of Manière Noire's Appropriating Language exhibition series and features works by Daniela Friebel, Tom McGlynn and Holger Stark.

The word “Reflection” is polysemic in that it contains several possible explanations, among others: throwing back unabsorbed light; images seen in a shiny surface; things that are a consequence of or arise from something else; and finally, individual considerations for an image or expression. And the complex visual language of photography appropriates the world -as the world, in turn, appropriates the language of photography- in a constant feedback loop (or reflection) between subjective focus and objective contingency.
McGlynn, Stark, and Friebel focus on a “semiotics of place” each through their particular formal languages. Although each give special emphasis to other artistic practices, (McGlynn is a painter and poet, Stark is an installation artist, whereas Friebel is a conceptual artist), they usefully deploy photography as an alternate means to explore their subjective interpretations and (fact) findings. But however we think of photography as a faithful, documentary, representing of the world, these three artists prove that the way one sees and reproduces reality is very subjective and what is presented in the form of a veritable record may still contain more than meets the eye.

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

Tom McGlynn’s photographs are, ostensibly, simple notations of daily observations. Most, if not all of his photographic project, takes into consideration content derived from a type of "psychogeographic" reflection. The artist is interested in discovering an objectively - subjective point of view that finds itself in a perpetual ramble. In a kind of quotidien Gestalt, McGlynn uniquely frames big, chaotic, whole patterns of colors and shapes a normal passerby wouldn’t necessarily perceive as picturesque or even interesting. These daily revelations come from a context of an apparently ordered world, which Tom McGlynn proves it is a euphony of uncountable irregularity.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

Holger Stark doesn’t see himself as a typical photographer. Rather he uses his camera as a painter would use a brush. In his photographs- which are of a partitional, abstract nature- he avoids any narrative description of place. Even if his constellations of space and materiality are obviously depictable, they strongly repel reciprocal reference. Stark typically takes his photographs while he is travelling, at times when his retina is prepared to amplify the unusual. And however real his objects are, and however meticulously their topography is marked out, Stark’s photographs always withhold from the viewer any real recognition of specific time and place.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

Daniela Friebel is intrigued by the question of how we perceive images – and consequently, the perception of reality. She plays with photographic illusions in order to muse about the surface of images, the surface of things – and the tension between the visible and the invisible. Friebel's photograph in the exhibition “Reflections” shows an object trouvé, in the form of a diapositive that becomes a translucent mise en abyme: the paper frame of the diapositive turns into a picture in its own right – with instructions of itself inscribed. Those who still remember the analogous film frames know how a slide should be put on a projector upside down and reversed. Yet on this paper frame configures an additional instruction: “View from other side” which not only indicates the poetics of seeing but can be interpreted in different ways and reads like poetry.

The three above stanzas are quoted from “Thirteen Ways of Looking at a Blackbird”, by Wallace Stevens.

Daniela Friebel (born in Berlin in 1975) initially set out to study mathematics, literature and linguistics. After receiving her M.A. from Humboldt University Berlin, she started studying photography at the Academy of Visual Arts in Leipzig. Her predominantly site-specific installations use photographic wallpaper and nylon thread, they revolve around illusion, perception and reflect on the construction of images and the photographic medium itself. Daniela Friebel’s work has been shown in numerous national and international exhibitions such as the Grassi Museum Leipzig, Kunsthalle Rostock, Simultanhalle Köln, Photogalleri Vasli Souza Malmö und were part of the Musée de Elysée’s international touring exhibition ‚reGeneration2‘ that was exhibited in places such as Aperture New York, Rosphoto St. Petersburg and Centro de las Artes in Monterrey Mexico.

Tom McGlynn is an artist, writer, and independent curator based in the NYC area. His work is represented in the permanent collections of the Whitney Museum, The Museum of Modern Art, and The Cooper- Hewitt National Design Museum of the Smithsonian. He is currently an editor –at-large at The Brooklyn Rail, and is currently affiliated as a lecturer with Parsons The New School , NYC. His most recent show of paintings (Sept-Dec 2017) was held at Rick Wester Fine Art in NYC.

Holger Stark was born in Rostock in 1960. He studied at the Academy of Fine Arts in Dresden with Professor Günter Horlbeck where he graduated with a diploma in painting / graphics in 1990. He then completed a year of postgraduate studies in visual communication at the Kunsthochschule Hamburg. In 1992 Stark travelled to the English south coast town of Hastings where he established a studio for two years, then in 1993/94 he was awarded a DAAD scholarship to study at the Royal College of Art in London.By 1995 Stark established a studio and residence in Berlin. Since 2001 he has made his residence and studio in a former warehouse building together with his wife the painter Tanja Zimmermann in Klein Warin in Mecklenburg. Stark´s current artworks are primarily concerned with the possibilities of media installation and photography. www.holger-stark.com